Intermezzo

WTF is Lianna Haroutounian?

All live reports welcome. Meanwhile.....

Harteros out of Don Carlo

Not entirely unexpected news from the Royal Opera House: "Anja Harteros has withdrawn from singing the role of Elizabeth of Valois in Don Carlo for the performance on 8 May due to acute tonsillitis." Lianna Haroutounian, already booked for most of the run, replaces her.

There's no word about Harteros's one remaining booking, 11 May, yet, but "acute tonsillitis" is not something that clears quickly. Could we have unwittingly seen her last ever Covent Garden performance already?

Don Carlo, Royal Opera House dreamteam style

Don Carlo - Royal Opera House, 4 May 2013

Jonas Kaufmann wasn't ill; Anja Harteros turned up. Given that she'd marked half her lines at the general rehearsal earlier in the week (every singer's prerogative of course, but rare here) I had wondered. If success is defined as exceeding expectations, then the opening night of this third revival was a winner even before a note was sung.

Surprise surprise

Don't fall off your chair.

"German soprano Anja Harteros has withdrawn from singing the role of Elizabeth of Valois in Don Carlo for the final four performances in May (15, 18, 21, and 25 May). Anja is not able at this point to stay abroad for an extended period of time as originally planned. The role of Elizabeth of Valois on 15, 18, 21 and 25 May will now be sung by Armenian soprano Lianna Haroutounian, who makes her debut with The Royal Opera in this role."

Lianna Haroutouniam?

"Lianna’s recent roles include Desdemona in Otello for Opéra-Bastille in Paris, Leonora in Il trovatore in Marseille, Amelia in Simon Boccanegra in Lille, Mimì in La bohème for the Grand Théâtre in Tours and Amelia in Un ballo in maschera at the Stadttheater in Bern and the Grand Théâtre in Tours. Her roles during the 2012–13 season include Elena (I vespri siciliani) at the Megaron Concert Hall, Athens; and Vitellia (La clemenza di Tito) for Opéra de Marseille."

459,000 people can't be wrong

According to the Bavarian State Opera, there were 459,000 views of yesterday's live streamed Don Carlo, starring Jonas Kaufmann, Rene Pape and Anja Harteros. That's not far short of the number of physical visitors to the opera house in a whole year.

The figure compares with 77,000 a couple of weeks ago for L'Elisir d'Amore, Munich's first venture into streaming.

Don Carlo in Munich

Don Carlo - National Theatre Munich, 22 July 2010

A sound production, a spectacular cast, a few roast heretics for supper - this could have been the greatest Don Carlo ever. If only they'd rehearsed it. Following an airing in January, Jürgen Rose's ten year old production was revived for just two nights. Some critics complain that Munich's summer opera festival is not imaginative enough, that it doesn't have new productions coming out of its ears like Salzburg's does. But for out-of-towners like me, one of the main attractions is well-cast revivals of old favourites.

However when the most convincing actor on stage is Ramón Vargas, you know you've got problems. The singing was uniformly terrific, but the cast, to a (wo)man, looked as if they'd been shoved on stage and told to get on with it. It didn't help that the temperature outdoors was a muggy 80-plus degrees, and worse inside. In their heavy period costumes, sweat running down their faces, running around the stage was probably the last thing any of them wanted to do.