Rigoletto - Royal Opera House, 30 March 2012

Numerous revivals down the line, David McVicar's Rigoletto (original director nowhere to be seen) is looking as flaccid as the solitary blink-and-you'll-miss-it todger that crowns its opening orgy scene. (An orgy which, incidentally, strikes me as considerably more heterosexual than on previous outings - anyone watching closely enough to confirm?).
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After tonight's Faust at Covent Garden, simulcast around the world, there was something Vittorio Grigolo just couldn't wait to tell the folks back home.
Wait, it's coming...
A swift salute first....
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Faust - Royal Opera House, 18 September 2011 (first night)

looking for a John Tomlinson impersonator?
Despite some outstanding performances from a top-drawer cast, this second revival of David McVicar's Faust somehow fails to hit the mark. Part of the blame is of course Gounod's - never afraid to cut a flowing story dead in its tracks with a crowd-pleasing ballet or drinking song.
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Manon - Royal Opera House, 29 June 2010

Following a brief flexing of her Manon-muscles in Vienna at the weekend, Anna Netrebko was back at Covent Garden on Monday night to recommence battle against Laurent Pelly's MDF and frilly knickers. Her new, bigger voice takes a while to settle, but once it did she was even more impressive than on opening night. There was one moment of danger - a near-crack on a solitary top D - but from then on she sailed through.
In fact everyone seemed to have upped their game - the orchestra sounded freer, the cast more relaxed. Vittorio Grigolo was the most changed, and entirely for the better. He reined in his opening night excesses and turned in a characterisation of some subtlety, revealing a world of vocal colour previously masked beneath can belto volume and acting skillz way beyond arm-flinging. Hope Covent Garden have secured a return booking while they can.
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